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#HOW TO VIDEO OF VINYL EXPRESS LXI EXPERT SERIES#

he will almost certainly change the way you look at pictures.вЂ™ By now he has.A couple of years ago, I took a bike ride from Slough, heading east вЂ“ right through London and out the other side to Basildon. I was looking for two important but hidden locations: a data centre belonging to the London Stock Exchange, and another belonging to the New York Stock Exchange. To find them, I followed the line of microwave dishes that connect them вЂ“ some perched on pylons, others on water towers or tall buildings. These beams of data carry millions of high-frequency financial transactions вЂ“ and thus billions of pounds вЂ“ through the air, above our heads, completely invisibly. Near Heathrow airport, I looked up to see the microwaves passing through two huge dishes atop Hillingdon hospital, a pioneering 1960s centre now suffering вЂ“ like much of the NHS вЂ“ from a shortfall in funding. For a rent of a few thousand pounds a year, the machinery of private finance perches on the crumbling infrastructure of the welfare state: all that money, flowing invisibly just a few metres above the patients inside. So how do we begin to understand a world in which the most powerful technologies of our time are so hard to see that most of us arenвЂ™t even aware of them? This is how a difference in visibility translates into a difference in power: those who can see, can understand вЂ“ and thus shape the world to their advantage.

#HOW TO VIDEO OF VINYL EXPRESS LXI EXPERT SERIES#

John Berger, whose 1972 series Ways of Seeing uncovered the political and social systems that shape art. Perhaps we should look to art for guidance. More specifically, to the work of writer and critic John Berger, who didnвЂ™t just help us gain a new perspective on viewing art with his 1972 series Ways of Seeing вЂ“ he also revealed much about the world in which we live. Whether exploring the history of the female nude or the status of oil paint, his landmark series showed how art revealed the social and political systems in which it was made. The camera, he argued, had radically altered our relationship with great artworks, by severing the old masters from their original context: вЂњBy making the work of art transmittable, has multiplied its possible meanings and destroyed its unique original meaning.вЂќ He also examined what had changed in our ways of seeing in the time between when the art was made and today. This observation seems even more pertinent today, in our image-soaked culture, where everyone is a photographer, and digital pictures flow endlessly from machine to machine, making up not only the fabric of artistic expression but also social media, digital maps, targeted advertising and surveillance. In a world of fake news and facial recognition technology, many of the ideas in Ways of Seeing have never seemed more relevant.

Which is why I have made New Ways of Seeing, a radio series which, like BergerвЂ™s original, seeks to answer the most pressing questions in art today: namely, ones around digital tools and the internet. ItвЂ™s one of the ironies of the present age that while we feel that everything has changed, our view seems to be unaltered. If you walk down the street, the buildings, vehicles and people all look much the same as in BergerвЂ™s heyday. The digital revolution is largely an invisible one вЂ“ until you start to look closer. The people are mostly talking to themselves, or staring at their hands, and the banks, post offices and libraries are coffee shops, because most of their functions have moved online.

In the first episode of New Ways of Seeing, I meet artists such as Ingrid Burrington and Trevor Paglen, who explore this hidden architecture of the internet.ДЄs a result, we rarely вЂњseeвЂќ the digital world as it really is вЂ“ even as it makes more and more claims over our lives. Who is john berger ways of seeing series#

How to video of vinyl express lxi expert